Srb Men Kent Plej Z Bluz 02?

[oldfishermanblues]

Ana je trebala da nastupa na Exitu 04 ili 05 (kako vreme leti), ali zbog propusta organizatora nije dosla.
To je bio Exit na kome je poslednji put postojao Blues'n'jazz stage.

Savo, voleo bih da razradis tezu - ''... njen nagli odlazak u inostranstvo za mene ostaje tamna mrlja u njenoj uspešnoj karijeri...''.

[Sava]

Savo, voleo bih da razradis tezu - ''... njen nagli odlazak u inostranstvo za mene ostaje tamna mrlja u njenoj uspešnoj karijeri...''.

Ne, ne bih to želeo, moguće je da bih se nekome zamerio, a na kraju to je njena lična stvar i njene bliske okoline. Voli i ceni Anu kao muzičara i to je dovoljno.

[oldfishermanblues]

O.K.

[Boogie Woogie]

naravnio da je tamna mrlja.
Otišla je da prodaje blues amerima?
To kao mi kad bi otišli da prodajemo flamenko Špancima..

A i sama je rekla kako je bila na nekom festivalu gde je neki legendarni bluzer za nju i rekao kako je ona ok i talentovana, dobra energija, ali je - nije ništa razumeo (pa se ona onda dala na učenje engleskog)

no ok, ona je videla neku računicu u tom komercijalnom bluziranju pa eto..

[Critical]

Bogu vugi ,kako bi ti nazvao to sto ana i ostali sviraju, posto po tebi to nije i ne moze da bude blues,sta je onda ?

[alzo]

Meni bi bila cast da me bilo koji blueser pozove da odsviram nesto.......
Ana je uradila mnogo i nevidim razlog da joj se to ospori........uci u Fenderov
katalog i svirati sa nekim "macanima" bluesa nije mala stvar........
na jednom albumu joj je svirao klavijature i klavirista SRV-a...
malo li je...............a ovde je sa jednom legendom kojeg sam
gledao osamdesetih u SC sa John Mailom......bio je tu i Walter Troth..........
prva liga belog bluesa........

http://www.youtube.com/watch?v=VrL9uwV1cr4

[Rocket Roll]

gledao osamdesetih u SC sa John Mailom......bio je tu i Walter Troth..........

John Mayall, Walter Trout.

[alzo]

Aj pisacu ubuduce imena u originalu.........
ko bre da pamti kako se pise..........

[Boogie Woogie]

"Bogu vugi ,kako bi ti nazvao to sto ana i ostali sviraju, posto po tebi to nije i ne moze da bude blues,sta je onda ?"

Tezgarenje.

[oldfishermanblues]

Naravno, teška tezga
Uspeh se ne prašta...Kod nas i dalje caruje sindrom ''spljoštenog drustva''...Čim neko uspe nesto da uradi i podigne glavu, ajmo svi u kolektivnu (ili pojedinacnu) pljuvačinu...Vraćaj se dole da ne štrčis! Ti to ne možeš! Ma to je kopija!
Hajde da pljujemo po svima...
Devojka je uspešan svetski muzičar - Pljuj
Devojka uči da svira usnu harmoniku - Pljuj
Živele gusle i sl.! Njih treba da prodajemo!Za bolje i nismo!

Plejada katastrofalnih stavova....

A SVET IDE DALJE....

“…proof that the incarnation of Jimi Hendrix is a woman.” – Jazz News

“... Clearly Ana Popovic is someone to keep an eye on in the coming years. Besides her extraordinary talent both as a singer/songwriter and lead guitarist, she is also young, beautiful, energetic, and charismatic.” – Sound Waves Magazine

"Yugoslavian-born Ana Popovic is not only a superb singer and songwriter, but also a very capable guitarist who can flatpick fluid jazz lines, craft deep-pocket slide grooves, and bend strings with SRV-style emotion.” - Guitar Player

http://www.mnblues.com/review/2007/anap ... 05-dm.html

2006
Ana is invited for the legendary 'Blues Cruise 2006' - She's the first European artist ever called upon to play this prestigious cruise with their original band. In February Ana is nominated as 'Blues Artist of the Year' by the readers of 'BluesWax Magazine'. Other nominees are Tab Beniot and Joe Bonamassa.
2005
Ana releases her third Ruf Album jointly as a live DVD. Recorded at the 'Melkweg' in Amsterdam and Titled 'Ana! Live in Amsterdam' The DVD/CD is released in April in Europe and August in the USA. Ana tours throughout Europe and even plays in Dubai as part of Ruf's 'Blues Caravan - Ladies Night' with Sue Foley and Candy Cane.
2004
With great live shows, Ana's international demand continues to grow. She returns to the USA – this time touring three times – and plays concerts in Canada and throughout Europe. Together with her band she wins the prestigious jazz award 'Jazz a Juan-Revelation 2004' in Juan Le Pins, France. The award shows recognition of Ana's abilities in the jazz genre - another strong influence on her music. Ana begins an endorsement contract for Mesa Boogie amplifiers. She is also particularly proud to join many of the world's top guitarists as she begins endorsement for Ovation Guitars.
2003
Ana returns to Memphis and records her second album for Ruf Records. Titled 'Comfort to the Soul'; Half of the album was produced/mixed by Jim Gains in February, with the remainder produced and mixed by David Z (Prinz, Buddy Guy, Jonny Lang) in April. Praised for its diverse package of blues, rock, soul and jazz the album leads to Ana receiving a nomination at the prestigious WC Handy Awards in Memphis for Best New Artist of 2003 (the only continental European artist ever nominated in this category). Ana also becomes the first European artist to perform at the Show. The year also sees Ana endorsing 'Fender' guitars and 'DR handmade' strings for the first time. During the 'Rhythm & Blues Fest' in Peer, Belgium, Ana is invited on stage by 'The King of Soul', Solomon Burke, who immediately invites her to join him as a special guest for the rest of his tour.
2002
Ana is part of the European 'Jimi Hendrix Tribute tour' with Walter Trout. Ana also takes her European band on tour to the US for the first time. She receives three nominations for the 2002 blues Awards in France: 'Best Singer', 'Best Guitarist' and Best Album'.
2000 - 2001
In October of 2000, Ana travels to Memphis to record her first release for Ruf Records. Titled 'Hush'! after her first band, the release is produced by Jim Gaines (whose production credits include Santana and Stevie Ray Vaughan). 'Hush!' is released at the beginning of 2001. It is a period with many highlights as Ana's younger sister, Maja, enrols at the higher Professional school of Art in Utrecht. Ana joins various artists including Bernard Allison, Eric Burdon, Walter Trout, Popa Chubby, Jimmy Thackery, Taj Mahal and Buddy Miles on a Jimi Hendrix tribute CD: 'Blue Haze'. Her contribution is a version of Hendrix' 'Belly Button Window'. In 2001 Ana appears as 'special guest' on tour with Bernard Allison, who also joins her on one track of her CD 'HUSH!'
1999
Although now studying in the Netherlands; both a need to put the newly acquired music theory into practice, and a need to pay the tuition fees, leads to Ana forming a Dutch band. The band quickly becomes a popular fixture on the Dutch and German blues scenes. Inevitably, with increasing concert obligations, Ana decides to terminate her studies at The Conservatory and with a background of increasing unrest and bombing in her hometown of Belgrade Ana signs a record deal at Ruf records in Germany.
1995 - 1998
Music now begins to take up more time as Ana forms her very first band 'Hush' with friend and guitar player Rade Popovic. She rehearses frequently in a small garage in New Belgrade and live shows soon follow. Initially being a girl means Ana having to take second place, but that soon changes. Over the next three years Ana's band plays all the major club venues - by 1998 doing a hundred shows annually and making regular appearances on Yugoslavian television. The end of Communism means musicians are finally free to travel and Ana now plays blues festivals in Greece & Hungary. With her band Hush she records her first album "Hometown" as a limited pressing and, in 1998 successfully applies to study Graphic Design in Utrecht. Just a few weeks before her new Graphic Design course starts however, Ana decides to send in a tape to Utrecht's Conservatory. Ana's tape is selected right away, leaving her with a choice to make … feeling more a musician than a designer the decision is easily made.
1991 - 1994
Inevitably, Ana falls for the charms of the guitar. Her father continues to help her but realizes that his daughter's natural gift for playing the instrument goes beyond his own abilities. Although the family isn't rich Milutin and Vesna make it possible for Ana to take private guitar lessons and Ana puts her soul into them – surprising her teacher with her progress and rapidly developing a style of her own. Finally, on finishing her Grammar School education in 1994, Ana makes the decision to follow in her father's footsteps by studying Graphic Design at the University of Belgrade.
1981 - 1991
At school Ana is a good student. Not completely bitten by the guitar bug yet, she learns easily and likes to impress. Against the stormy political backdrop of Belgrade she receives good news: she is selected to attend one of the most prominent Schools in Belgrade. Despite her adolescent rebel years tempting her away from the classroom, and a volatile political situation under the Milosovic nationalist regime in Belgrade, she passes her exams without problems.
1976 - 1981
13 May 1976 - Ana Popovic is born in the old town of Belgrade, formerly Yugoslavia, the first daughter of Milutin and Vesna Popovic. Five years later their second daughter, Maja, is born. Ana grows up in a warm and loving family where music is very important. Her father Milutin is a creditable guitar / bass player, always inviting friends for nightly jam sessions. In this atmosphere Ana grows up, often listening to her father's impressive blues and soul record collection. Finally, at 15, Ana picks up her father's guitar.

[Critical]

Naravno, teška tezga
Uspeh se ne prašta...Kod nas i dalje caruje sindrom ''spljoštenog drustva''...Čim neko uspe nesto da uradi i podigne glavu, ajmo svi u kolektivnu (ili pojedinacnu) pljuvačinu...Vraćaj se dole da ne štrčis! Ti to ne možeš! Ma to je kopija!
Hajde da pljujemo po svima...
Devojka je uspešan svetski muzičar - Pljuj
Devojka uči da svira usnu harmoniku - Pljuj

Tuzno ,ali istinito............ evo chak imamo i primer ovde

[Boogie Woogie]

e pa malo ste frljnuli sa kritikama

po mom mišljenju, ako će vam biti jasnije - nina primer E.C. nema veze sa blues-om. (mislim da sam to negde napred već pomenuo)
a o A.P. da i ne govorim...

[Sava]

Što se tiče korenitih osećaja za blues:

- Čovek koji se najviše približio crnim blueserima je Evropljanin
- Čovek koji je sam vrh među blues pevačima je Evropljanin pa mu je posvećen praktično čitav dvd u poznatom blues serijalu
- Čovek koji je od jedne numere američke grupe napravio blues standard je Evropljanin

Vreme je da vam otkrijem rešenje ovog malog rebusa jer vidim da niko nije (ispravno) reagovao:

- Najviše se crnom bluesu približio jedan beli Evropljanin, Englez iz Londona, a zove se g. Peter Green, nekada i frontman grupe Fleetwood Mac. Šteta što je njegova karijera zbog određenih okolnosti relativno rano i naglo pala dosta nisko, izgleda da je previše duše prodao Đavolu tako da u Beogradu nije baš blistao;

- Martin Scorsese je jedan od filmova iz svog serijala nazvao "Crveno, belo i blues", naravno ne bez razloga, a jedan od glavnih likova je Evropljanin tamnije puti ali belac iz Cardifa u Walesu, naravno to je Sir Thomas Jones Woodward, mnogima poznatiji kao Tom Jones;

- Ovde sam napravio grešku jer grupa koja je prvobitno izvodila taj hit je takođe iz Evrope, a zvali su se The Nashville Teens. Naravno, radi se o čuvenoj numeri "Tobacco Road" od koje je blues standard napravio frontman Animalsa g. Eric Burdon, podrazumeva se da je Evropljanin i belac, a rodom je iz Newcastlea.

[Boogie Woogie]

i naravno, svi ti belci su vrlo autentično i iskreno pevali o svojoj robovskoj potlačenosti..a naročito Tom Jones

mislim, upiš..

[(Old)Fisherman]

Boogie se nasalio, ali me je podsetio na jedan bitan detalj...koji bluzer je uopste pevao o robovskom tlacenju? Najgore je sto jos uvek ima ljudi koji veruju da su se bluzeri stvarno bavili ili bave jos uvek tom temom, pogotovo matori crnci-bluzeri...

Da pojasnim, bluz je poceo da poprima oblik 47 (ako racunamo prvi snimak), odnosno, 60 i kusur godina nakon ukidanja ropstva...sto ce reci, otprilike tri generacije kasnije. Blind Lemon & vrsnjaci niti su ista znali niti su uopste razmisljali o ropstvu/robovlasnickom polozaju, a posto je osnovna uloga njihove muzike bila da zabavi prevashodno crnu populaciju, tesko da bi svoju publiku obradovali i razgalili pesmama koje se bave tako "aktuelnim" i "zabavnim" temama iz zivota/davne proslosti...

A sto se tice sposobnosti belaca, a medju njima i Srba, da se bave bluzom...ako pojedini od nas Srba (koji i pored svega ipak sviraju bluz) rese da se prizovu pameti i sa bluza predju lepo na sumadijska kola, juzno-srpske coceke, alternativni rok ili hevi-metal (jer to, jel' te, za razliku od bluza, ipak mogu da osete) onda, po istoj logici pojedinih od nas, trebalo bi skrenuti paznju i izvesnom Bori Dugicu da prestane da svira one silne rumunske pesme i motive (bez obzira sto ih je ucio i usavrsavao 25 godina) i predje na pomenuta sumadijska kola ili alternativni rok jer on, naravno, nije Rumun, pa samim tim i ne moze da svira tu muziku kako treba (jer je naravno ne oseca "pravilno"!?)...Neka neko skrene paznju i Jazz Big Band-u RTV Beograd da prestanu da se glupiraju i blamiraju sa jazz standardima (koje sviraju tek 30-tak godina...slicno kao i njihove kolege iz Big Band-ova Nemacke, Austrijske, Danske, itd. nacionalne televizije) i predju na neku muziku koju bolje "osecaju" - npr. gajdaske motive, cobanske napeve, pesme iz juzno-srpskih mahala sa kraja 19. veka...ili jednostavno hevi-metal...